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Quakers - Fitta Happier
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1982 (Statik Selektah & Termanology) “Too Long” ft. Ea$y Money
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RIP MCA
Posted on May 23, 2012 via Rappcats with 89 notes
Source: rappcats
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Simple Goddamn Manners
Recent surveys have concluded, surprisingly, that the primary reason Anarchism has not flourished more in the United States is not because the populace are scared by it or unfamiliar with its tenets but simply because many anarchists are so intensely rude and unpleasant to deal with on an individual level.
Thus, this workshop will focus on diminishing the appearance of unwarranted adolescent arrogance by teaching skills such as Bothering to introduce oneself : Establishment of eye contact : Making small talk with people who aren’t exactly like you : Expressing interest in other humans : Apologizing for mistakes : Smiling once in a fucking while : Reciprocating spoken greetings vs. reacting with silent suspicion and fear
Meeting Time: Never, because you already know everything
Location: A “community space” that no-one from the community feels comfortable inNOLA ANARCHA: “Summer 2012 Free Skool Classes” (via suzy-x)
TOO TRUE.
(via becoming-wave)
(via becoming-wave)
Posted on May 14, 2012 via Suzy X. isn't real with 164 notes
Source: suzy-x
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DOUBLE TROUBLE
Posted on May 14, 2012 via @UPNORTHTRIPS with 211 notes
Source: upnorthtrips
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Posted on May 8, 2012 via @UPNORTHTRIPS with 40 notes
Source: upnorthtrips
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New York Hardcore - The Young & The Useless + Beastie Boys

The Beastie Boys started out as a hardcore band in New York City in the early ’80s. The original lineup consisted of Kate Schellenbach on drums (who went on to play in Luscious Jackson), John Berry on guitar, Michael Diamond (Mike D) on vocals, and Adam Yauch (MCA) on bass. Yes, the original Beastie Boys included a girl.

They were featured on the “New York Thrash” hardcore compilation originally released on tape cassette in 1982 by ROIR Records, which also released the first Bad Brains album.
Also in 1982, the Beastie Boys released their first record, the Polly Wog Stew EP, a 7” record on the the Rat Cage label.
John left the band and Adam Horovitz joined on guitar. Adam had played in the hardcore band The Young and The Useless, who had done shows together with the Beastie Boys and released a 7” record, called “Real Men Don’t Floss”, also on the Rat Cage label in 1982.
In 1983, the Beastie Boys released their first hip hop record, the Cooky Puss EP, also on Rat Cage.
Soon, they met Rick Rubin, co-founder of Def Jam records, who had played in New York punk bands “The Pricks” and “Hose”, releasing their first full-length album, “Licensed to Ill” in 1986.
And the Beastie Boys would return to recording hardcore songs, in addition to hip hop, with their 1992 song “Time For Living” on their “Check Your Head” album, as well as two tracks on their 1994 “Ill Communication” album and an all-hardcore 12” EP, “Aglio E Olio” in 1995.
They continued playing hardcore songs live as long as they did live shows (ending in 2009) and included a hardcore song on their last album “Hot Sauce Committee Pt. 2” in 2011.
And here’s a video covering some of that history.
While Run-DMC took the Beastie Boys on their first big tours, the Beasties were the ones who took Public Enemy on their first big tour. I imagine the Beasties also might have had something to do with Public Enemy appearing with these t-shirts of my favorite band, hardcore or otherwise, Minor Threat.

I find it ironic that the Beastie Boys are mostly looked at by non-fans as the first successful White hip hop group, because it’s lesser-known that they were first-of-all a hardcore band primarily inspired by the all-Black “Bad Brains”, and considering that rock & roll is also a genre of music primarily created and maintained by Black people.
Most considerations of the origins of hip hop also neglect the fact that Puerto Rican people were involved in it from the beginning. An interesting documentary on that subject was produced, entitled “From Mambo to Hip Hop”
I previously wrote some articles about the connections between punk and hip hop in New York in the early 80s at another blog.
Malcolm McLaren, hip hop, punk & colonization
The Clash & Grandmaster Flash, punk & hip hop pt. 2
For background and enjoyment, I recommend “American Hardcore”, an inevitably incomplete documentary about the genre. The Beastie Boys are also briefly mentioned in the film.
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